Showing posts with label Essanay Studios. Show all posts
Showing posts with label Essanay Studios. Show all posts

October 15, 2010

George K. Spoor, Founder of Essanay Studios and an Early Film Pioneer

This image is of George K. Spoor, founder of the Essanay Studios once located on Argyle. It was taken in 1953 from his home at 903 Argyle. This would have been the year he died.



A biography from Wikipedia:

George Kirke Spoor (December 18, 1872 – 24 November 1953) was an early film pioneer who, with Broncho Billy Anderson, founded Essanay Studios in Chicago in 1907.


Spoor and Anderson were responsible for discovering stars such as Wallace Beery, Francis X. Bushman, Ben Turpin, Gloria Swanson, and Charlie Chaplin. Allan Dwan, who was hired as a screenwriter, went on to become a famous Hollywood director. Louella Parsons, also hired by Spoor as a screenwriter, later became a famous Hollywood gossip columnist.

In 1894, while box office manager of the Phoenix Opera House in Waukegan, Illinois, George K. Spoor teamed with inventor Edward Hill Amet (1860-1948) to build and exhibit The Magniscope, the first practical 35mm movie projector ever designed and used in a large audience display. Spoor and Amet made films and distributed them with this device before the 1895 device by the Lumiere Brothers of France. Thomas Edison's more famous Kinetoscope was exhibited in 1891, but was only able to be viewed by one person at a time through a peephole.

Spoor and Amet are credited for having filmed: the world's first newsreel, a film of the first Inauguration of President William McKinley in 1897; the first use of film miniatures (The Battle of Santiago Bay) in which tin replicas and cigar smoke created the illusion of live war footage; the first to experience local censorship (due to the graphic images of China's Boxer Rebellion); and even the first "fake newsreel" in which Spoor used neighbors to act out battles such as the Battle of San Juan Hill in a local park.

In 1926, Spoor and inventor P. John Berggren invented Natural Vision, an early 65mm widescreen process which was only used to film four movies, including Danger Lights (RKO, 1930). The trademark Natural Vision was later used for an unrelated system of making 3-D films in 1953.

In 1948, Spoor received an Oscar, specifically an Academy Honorary Award for his contribution to developing motion pictures as entertainment.

He died on 24 November 1953.

The image is available here: George K. Spoor

September 24, 2010

Vintage Essanay Advertisement with Charlie Chaplin's Film "His New Job"

A vintage advertisement for Essanay's "newest" films, featuring His New Job, the one film Charlie Chaplin filmed in Uptown Chicago.


Get the original here: Charlie Chaplin at Essanay

November 11, 2009

Collector finds Zepped, a lost Charlie Chaplin film, on eBay for £3.20; Uptown Chicago Connection

Editor's Note: The Chicago Tribune had an article this morning about a previously unknown Chaplin film, with footage shot at the Essanay Studio in Uptown Chicago. Excerpt with link below:

For nearly a century "Zepped," a 6-minute 1916 film of mysterious pedigree starring Charlie Chaplin, was lost. Now it’s found.
Zepped

Earlier this year, an Essex, England, film collector named Morace Park made a successful eBay bid of £3.20 (or $5.68 American) on a nitrate film canister containing unlabeled footage. The footage turned out to be the obscure Chaplin short, a World War I propaganda effort designed to buck up British morale, combining stop-motion animation and outtakes and unused alternate shots from films Chaplin made for both Keystone and Essanay studios

The hybrid, over which Chaplin apparently exercised no creative control, includes a shot or two from "His New Job," the short film Chaplin made for the Chicago-based Essanay during his 23-day residency here in late 1914 and early 1915...

Complete article can be read on the Tribune site.

***

The article below, excerpted from the UK paper The Guardian, has more details:

Collector finds unseen Charlie Chaplin film in tin sold for £3.20 on eBay

Morace Park was footling around on eBay looking for antiques when he stumbled on an item that was listed casually as an "old film" – and even then he was really more interested in the tin it was in.

"It had a lovely look to it," said Park. But the contents of the battered container, which he bought for the princely sum of £3.20, have turned out to be a previously unknown film by Charlie Chaplin...

For entire article, go to The Guardian.

August 10, 2008

Wallace Beery, a Chicago Essanay Player

Editor's Note: To learn more about Essanay Studios and its history in Uptown, go here.

Wallace Beery (April 1, 1885 – April 15, 1949) was an American Academy Award-winning actor, arguably best known for his portrayal of Long John Silver in Treasure Island (1934) as well as more than 200 other movie roles over a 36-year span.

Biography

Early life and career

Born in Kansas City, Missouri to Noah W. Beery and Marguerite Fitzgerald Beery, he was the younger brother of actor William Beery and Noah Beery, who also would have a lengthy career in motion pictures, as well as the uncle of actor Noah Beery, Jr.

According to U.S. Census records, all three Beery brothers were born to the same parents, making them full brothers and not half-brothers as many reports have it. Wallace Fitzgerald Beery joined the Ringling Brothers circus at the age of sixteen as an assistant elephant trainer. He left two years later after being clawed by a leopard. He found work in New York City in musical variety and began to appear on Broadway. In 1913, he moved to Chicago to work for Essanay Studios in Uptown Chicago, cast as "Sweedie, The Swedish Maid," a manly character in drag. Later he would move to California, to the Essanay Studios location in Niles, CA.

In 1915, Beery starred with his wife Gloria Swanson in Sweedie Goes to College. The marriage did not survive his drinking and abuse. In the following years, he began to play villains in several movies, and in 1917 portrayed Pancho Villa in Patria during the period when Villa was still active in Mexico; Beery would reprise the role seventeen years later.

His notable silent films include Arthur Conan Doyle's dinosaur epic The Lost World (1925; as Professor Challenger), Robin Hood with Douglas Fairbanks (1922; Beery played King Richard the Lionheart in this film and a sequel the following year called Richard the Lion-Hearted), Last of the Mohicans (1920), The Round-Up (1920; with Roscoe Arbuckle), Old Ironsides (1926), Now We're in the Air (1927), The Usual Way (1913), and Beggars of Life (1928; with Louise Brooks).

Transition to sound

With the transition to sound film he was for a time put out of work, but Irving Thalberg had no objection to Beery's gruff slow speech as a character actor, and hired him under contract to Metro-Goldwyn-Mayer.

Beery appeared in the highly-successful 1930 prison film The Big House (for which he was nominated for the Academy Award for Best Actor). The same year, he made the pivotal Min and Bill opposite Marie Dressler, the movie that vaulted him into the box office first rank. He followed that up with The Champ in 1931, this time winning the Best Actor Oscar, and the role of Long John Silver in Treasure Island (1934). He received a gold medal from the Venice Film Festival for his second performance as Pancho Villa in Viva Villa! (1934) with Fay Wray (Lee Tracy was originally to appear in the film until he drunkenly urinated off the balcony into a crowd of Mexicans standing below; Tracy's career never recovered from the incident). Other notable Beery films include Billy the Kid (1930) with John Mack Brown, The Secret Six (1931) with Jean Harlow and Clark Gable, Hell Divers (1931) with Gable, Grand Hotel (1932) with Joan Crawford, Tugboat Annie (1933) with Dressler, Dinner at Eight (1933) opposite Jean Harlow, The Bowery with George Raft and Pert Kelton that same year, China Seas (1935) with Gable and Harlow, and Eugene O'Neill's Ah, Wilderness! (1935) in the role of a drunken uncle later played on Broadway by Jackie Gleason in a musical comedy version. During the 1930s Beery was regularly one of Hollywood's Top 10 box office stars, and at one point his contract with MGM stipulated that he be paid $1 more than any other contract player at the studio, making him the highest paid actor in the world.

He made several comedies with Marie Dressler (Min and Bill and Tugboat Annie, both sensationally successful) and Marjorie Main, but his career began to slow down in his last decade. In 1943 his brother Noah Beery co-starred with Wallace Beery in the war-time propaganda film Salute to the Marines, followed by Bad Bascomb (1946) and The Mighty McGurk (1947).

Personal life

His second wife was Rita Gorman. Together they adopted a daughter Carol Ann, daughter of Rita Gorman Beery's cousin. The marriage ended in divorce.

According to E.J. Fleming's book "The Fixers" (about MGM's legendary "fixers" Eddie Mannix and Howard Strickling) Beery, gangster Pat DiCicco, and Albert R. "Cubby" Broccoli (who was also DiCicco's cousin and eventual producer of the James Bond films) allegedly beat comedian Ted Healy to death in a brawl. The book went on to claim that Beery was then sent to Europe by the studio for a few months until the heat was off, while a story was concocted for the public that three college students had killed Healy instead. (Immigration records confirm a four-month trip to Europe on Beery's part immediately after Healy's death, ending April 17, 1938.) Oddly, a superb pencil drawing of Beery survives that was drawn on a film set by Healy, an amateur artist as well as the organizer and original leader of the Three Stooges.

At best, Beery seems to have been somewhat misanthropic and difficult to work with, and Jackie Cooper, who worked with Beery in several films, called him in his autobiography "the most sadistic person I have ever known". Child actress Margaret O'Brien also worked with Beery, and ultimately had to be protected by crew members from Beery's insistence on constantly pinching her.

One of his proudest achievements was catching the largest black sea bass in the world off Santa Catalina Island in 1916. It was to be a record that stood for 35 years.

He died at his Beverly Hills, California home of a heart attack at the age of 64, and was interred in the Forest Lawn Memorial Park Cemetery, in Glendale, California.

For his contribution to the film industry, Wallace Beery has a star on the Hollywood Walk of Fame at 7001 Hollywood Blvd.

Selected Filmography

* His Athletic Wife (1913)
* In and Out (1914)
* The Ups and Downs (1914)
* Cheering a Husband (1914)
* Madame Double X (1914)
* Ain't It the Truth (1915)
* Two Hearts That Beat as Ten (1915) with Ben Turpin
* The Fable of the Roistering Blades (1915)
* The Broken Pledge (1915) with Gloria Swanson
* A Dash of Courage (1916) with Gloria Swanson
* Are Waitresses Safe? (1917) with Ben Turpin
* Maggie's First False Step (1917)
* Patria (1917; as Pancho Villa in a supporting role) with Irene Castle, Milton Sills, and Warner Oland
* 813 (1920)
* The Virgin of Stamboul (1920)
* The Mollycoddle (1920) with Douglas Fairbanks
* The Round-Up (1920) with Roscoe "Fatty" Arbuckle
* The Last of the Mohicans (1920)
* The Four Horsemen of the Apocalypse (1921) with Rudolph Valentino
* I Am the Law (1922) with Noah Beery
* Robin Hood (1922) with Douglas Fairbanks
* The Flame of Life (1923)
* The Spanish Dancer (1923) with Pola Negri
* Stormswept (1923) with Noah Beery
* Drifting (1923)
* Three Ages (1923) with Buster Keaton
* White Tiger (1923)
* Richard the Lion-Hearted (1923; sequel to 1922's Robin Hood)
* The Drums of Jeopardy (1923)
* The Lost World (1925; Arthur Conan Doyle dinosaur epic in which Beery portrayed Professor Challenger) with Lewis Stone (and Doyle himself in a frontispiece)
* Old Ironsides (1926) with George Bancroft and Charles Farrell
* Casey at the Bat (1927) with Ford Sterling and Zasu Pitts
* Now We're in the Air (1927) with Louise Brooks (lost film)
* Beggars of Life (1928) with Louise Brooks and Richard Arlen
* Chinatown Nights (1929) with Warner Oland and Jack Oakie
* The Big House (1930) with Chester Morris, Lewis Stone, and Robert Montgomery
* Billy the Kid (1930; widescreen) with Johnny Mack Brown (billed as "John Mack Brown")
* Way for a Sailor (1930) with John Gilbert
* A Lady's Morals (1930; as P.T. Barnum)
* Min and Bill (1930) with Marie Dressler
* The Stolen Jools (1931; 20-minute ensemble short) with Edward G. Robinson and Buster Keaton
* The Secret Six (1931) with Jean Harlow and Clark Gable
* The Champ (1931; Oscar-winning performance) with Jackie Cooper
* Hell Divers (1931; early military planes) with Clark Gable
* Grand Hotel (1932) with Greta Garbo, John Barrymore, and Joan Crawford
* Flesh (1932; as a wrestler, directed by an uncredited John Ford)
* Tugboat Annie (1932) with Marie Dressler, Robert Young, and Maureen O'Sullivan
* Dinner at Eight (1933) with Marie Dressler, John Barrymore, Jean Harlow, and Lionel Barrymore
* The Bowery (1933) with George Raft, Jackie Cooper, Fay Wray, and Pert Kelton
* Viva Villa! (1934; as Pancho Villa again) with Fay Wray (shot on location in Mexico)
* Treasure Island (1934; as Long John Silver) with Lionel Barrymore and Lewis Stone
* The Mighty Barnum (1934; as P.T. Barnum again)
* West Point of the Air (1935) with Robert Young, Maureen O'Sullivan, Rosalind Russell, and Robert Taylor
* China Seas (1935) with Clark Gable and Jean Harlow
* O'Shaughnessy's Boy (1935) with Jackie Cooper
* Ah, Wilderness! (1935) with Lionel Barrymore and Mickey Rooney
* A Message to Garcia (1936) with Barbara Stanwyck and Alan Hale, Sr.
* Old Hutch (1936)
* The Good Old Soak (1937) with Betty Furness and Ted Healy
* Slave Ship (1937) with Warner Baxter (first-billed) and Mickey Rooney
* The Bad Man of Brimstone (1937) with Noah Beery
* Port of Seven Seas (1938; written by Preston Sturges and directed by James Whale) with Maureen O'Sullivan
* Stablemates (1938) with Mickey Rooney
* Stand Up and Fight (1939) with Robert Taylor and Charles Bickford
* Sergeant Madden (1939; directed by Josef von Sternberg) with Laraine Day
* Thunder Afloat (1939) with Chester Morris
* The Man From Dakota (1940) with Dolores del Rio
* 20 Mule Team (1940) with Anne Baxter and Noah Beery, Jr.
* Wyoming (1940) with Ann Rutherford
* The Bad Man (1941) with Lionel Barrymore, Laraine Day, and Ronald Reagan
* Barnacle Bill (1941) with Marjorie Main
* The Bugle Sounds (1942) with Marjorie Main, Lewis Stone, and George Bancroft
* Jackass Mail (1942) with Marjorie Main
* Salute to the Marines (1943, in color) with Noah Beery, Sr.
* Rationing (1944) with Marjorie Main
* Barbary Coast Gent (1944) with Chill Wills and Noah Beery, Sr.
* This Man's Navy (1945) with Noah Beery, Sr.
* Bad Bascomb (1946) with Marjorie Main
* The Mighty McGurk (1947) with Dean Stockwell and Edward Arnold
* Alias a Gentleman (1948) with Gladys George and Sheldon Leonard
* A Date With Judy (1948) with Jane Powell and Elizabeth Taylor
* Big Jack (1949) with Richard Conte, Marjorie Main, and Edward Arnold

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